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Girls from anywhere in the world can find a friend among temperamental and fiery Italians who in any situation try to prove themselves confident and resolute masters of life.
Tenderness towards women and children is in the nature of Italian men.
At other times the refined brushstroke is replaced by thick impasto marks, more akin to Freud.
In her recent series entitled ‘Chat Randon’, Celia visited internet chat rooms and asked the men she met here to model for her.
The resulting works have a performative quality, being time specific pieces, painted only in the duration that the model chose to stay on screen.
The microclimate of freedom and the pleasure of virtual communication reigns in our video chat.(2015), for example, is lithe to the point of quivering: the tangerine background playing against the plummy brown of the subject’s pouchy testicles, ice-green strokes giving swell to his buttocks.Yet, there is an evacuated quality, too; the larger expanse of skin carries an anaemic cast. The frontal framing of buttocks in (1980), but the comparison serves to show up the former’s odd docility, the subject aimless in his blue surroundings.However, Celia Hempton’s paintings stand out as plain and candid representations of the emergence of a new online culture.Hempton uses the website ‘Chatrandom’ to develop her images; a global network of video chatrooms connecting unknown strangers that is often used for masturbation.